{"id":10227,"date":"2023-12-22T17:33:15","date_gmt":"2023-12-22T17:33:15","guid":{"rendered":"https:\/\/www.dbindos.info\/?page_id=10227"},"modified":"2023-12-22T18:42:04","modified_gmt":"2023-12-22T18:42:04","slug":"teretni-covjek","status":"publish","type":"page","link":"https:\/\/www.dbindos.info\/en\/projekti\/teretni-covjek\/","title":{"rendered":"Teretni \u010dovjek"},"content":{"rendered":"<div data-elementor-type=\"wp-page\" data-elementor-id=\"10227\" class=\"elementor elementor-10227\">\n\t\t\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-06098c3 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"06098c3\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column 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.elementor-heading-title.elementor-size-xl{font-size:39px}.elementor-widget-heading .elementor-heading-title.elementor-size-xxl{font-size:59px}<\/style><h1 class=\"elementor-heading-title elementor-size-default\">Teretni \u010dovjek<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-7e8215d elementor-arrows-position-inside elementor-widget elementor-widget-image-carousel\" data-id=\"7e8215d\" data-element_type=\"widget\" data-settings=\"{&quot;slides_to_show&quot;:&quot;5&quot;,&quot;autoplay&quot;:&quot;no&quot;,&quot;slides_to_show_tablet&quot;:&quot;3&quot;,&quot;slides_to_show_mobile&quot;:&quot;1&quot;,&quot;infinite&quot;:&quot;no&quot;,&quot;navigation&quot;:&quot;arrows&quot;,&quot;image_spacing_custom&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:7,&quot;sizes&quot;:[]},&quot;speed&quot;:500}\" data-widget_type=\"image-carousel.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.10.0 - 09-01-2023 *\/\n.elementor-widget-image-carousel .swiper-container{position:static}.elementor-widget-image-carousel .swiper-container .swiper-slide figure{line-height:inherit}.elementor-widget-image-carousel .swiper-slide{text-align:center}.elementor-image-carousel-wrapper:not(.swiper-container-initialized) .swiper-slide{max-width:calc(100% \/ var(--e-image-carousel-slides-to-show, 3))}<\/style>\t\t<div class=\"elementor-image-carousel-wrapper swiper-container\" dir=\"ltr\">\n\t\t\t<div class=\"elementor-image-carousel swiper-wrapper swiper-image-stretch\">\n\t\t\t\t\t\t\t\t<div class=\"swiper-slide\"><a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"7e8215d\" e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTAyOTMsInVybCI6Imh0dHBzOlwvXC93d3cuZGJpbmRvcy5pbmZvXC93cC1jb250ZW50XC91cGxvYWRzXC90ZXJldG5pX2JpZy0zNS5qcGciLCJzbGlkZXNob3ciOiI3ZTgyMTVkIn0%3D\" 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class=\"eicon-chevron-left\"><\/i>\t\t\t\t\t\t<span class=\"elementor-screen-only\">Previous<\/span>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"elementor-swiper-button elementor-swiper-button-next\">\n\t\t\t\t\t\t<i aria-hidden=\"true\" class=\"eicon-chevron-right\"><\/i>\t\t\t\t\t\t<span class=\"elementor-screen-only\">Next<\/span>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-310b37d elementor-reverse-mobile elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"310b37d\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-034fa63\" data-id=\"034fa63\" data-element_type=\"column\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f251c16 elementor-widget-mobile__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"f251c16\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.10.0 - 09-01-2023 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#818a91;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#818a91;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<p>Autori: Damir Bartol Indo\u0161, Tanja Vrvilo<\/p><p>Performers: <strong>Emil Mate\u0161i\u0107, Tanja Vrvilo, Damir Bartol Indo\u0161, Damir Prica Kafka<\/strong> &#8211; klavir &#8211; sax, <strong>Sven Bui\u0107<\/strong> &#8211; kontrabas, <strong>Andreja Ko\u0161avi\u0107<\/strong> &#8211; truba &#8211; glas, <strong>Ivan Maru\u0161i\u0107 Klif<\/strong> &#8211; zvuk, <strong>Igor Pavlica<\/strong> &#8211; truba, <strong>Dragan Paji\u0107 Pajo<\/strong> &#8211; gitara<\/p><p>Fotografija, likovno oblikovanje: Ratko Mavar<br \/>Crte\u017e: Branislav Mer\u0161ek Kim<br \/>Taumatropske animacije: Nicole Hewitt<\/p><p>Koprodukcija: DBI \/ House of extreme music theatre \/ Teatar ITD<\/p><p>Premijera: <a href=\"https:\/\/www.teatar.hr\/8480\/teretni-covjek\/\" target=\"_blank\" rel=\"noopener\"><strong>NO JAZZ FESTIVAL 5., 6. i 7. 11. 2008. \/ Teatar ITD<\/strong><\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9731aab elementor-widget elementor-widget-image\" data-id=\"9731aab\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.10.0 - 09-01-2023 *\/\n.elementor-widget-image{text-align:center}.elementor-widget-image a{display:inline-block}.elementor-widget-image a img[src$=\".svg\"]{width:48px}.elementor-widget-image img{vertical-align:middle;display:inline-block}<\/style>\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.dbindos.info\/wp-content\/uploads\/teretni_big-63.jpg\" data-elementor-open-lightbox=\"yes\" e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTAyNDgsInVybCI6Imh0dHBzOlwvXC93d3cuZGJpbmRvcy5pbmZvXC93cC1jb250ZW50XC91cGxvYWRzXC90ZXJldG5pX2JpZy02My5qcGcifQ%3D%3D\">\n\t\t\t\t\t\t\t<img decoding=\"async\" width=\"857\" height=\"625\" src=\"https:\/\/www.dbindos.info\/wp-content\/uploads\/teretni_big-63.jpg\" class=\"attachment-full size-full wp-image-10248\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/www.dbindos.info\/wp-content\/uploads\/teretni_big-63.jpg 857w, https:\/\/www.dbindos.info\/wp-content\/uploads\/teretni_big-63-300x219.jpg 300w, https:\/\/www.dbindos.info\/wp-content\/uploads\/teretni_big-63-768x560.jpg 768w, https:\/\/www.dbindos.info\/wp-content\/uploads\/teretni_big-63-16x12.jpg 16w\" sizes=\"(max-width: 857px) 100vw, 857px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\"><\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9a6640a elementor-widget elementor-widget-image\" data-id=\"9a6640a\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.dbindos.info\/wp-content\/uploads\/teretni_big-21.jpg\" data-elementor-open-lightbox=\"yes\" e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTAyOTIsInVybCI6Imh0dHBzOlwvXC93d3cuZGJpbmRvcy5pbmZvXC93cC1jb250ZW50XC91cGxvYWRzXC90ZXJldG5pX2JpZy0yMS5qcGcifQ%3D%3D\">\n\t\t\t\t\t\t\t<img decoding=\"async\" width=\"500\" height=\"333\" src=\"https:\/\/www.dbindos.info\/wp-content\/uploads\/teretni_big-21.jpg\" class=\"attachment-full size-full wp-image-10292\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/www.dbindos.info\/wp-content\/uploads\/teretni_big-21.jpg 500w, https:\/\/www.dbindos.info\/wp-content\/uploads\/teretni_big-21-300x200.jpg 300w, https:\/\/www.dbindos.info\/wp-content\/uploads\/teretni_big-21-18x12.jpg 18w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\"><\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-7f9eff3\" data-id=\"7f9eff3\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-cd0a164 elementor-widget__width-initial elementor-widget-mobile__width-inherit elementor-widget-tablet__width-inherit elementor-widget elementor-widget-text-editor\" data-id=\"cd0a164\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><strong>Ekstremni muzi\u010dki performans temelji se na glazbenoj matrici \u2013 Captain Beefheartovog sampla Crazy Little Thing i notama iz kajdanke za punk jazz grupu Deep Throat, iz ostav\u0161tine Zorana \u0160ilovi\u0107a.<\/strong> <br \/>Proces muzi\u010dkog sklapanja cjelokupne glazbene slike zasnovan je na principu dvostrukog obrata: instrumentalna izvedba klavira, trube, kontrabasa i ksilofona koja slijedi notni zapis Z. \u0160ilovi\u0107a nadogra\u0111uje se glasovno-tekstualnom izvedbom koja slijedi broj\u010dani zapis sampliranog materijala pjesme Captain Beefhearta.\u00a0<\/p><p><a href=\"https:\/\/www.dbindos.info\/wp-content\/uploads\/teretni_big-50.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone wp-image-10245 size-full\" src=\"https:\/\/www.dbindos.info\/wp-content\/uploads\/teretni_big-50.jpg\" alt=\"\" width=\"500\" height=\"333\" srcset=\"https:\/\/www.dbindos.info\/wp-content\/uploads\/teretni_big-50.jpg 500w, https:\/\/www.dbindos.info\/wp-content\/uploads\/teretni_big-50-300x200.jpg 300w, https:\/\/www.dbindos.info\/wp-content\/uploads\/teretni_big-50-18x12.jpg 18w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/a><\/p><p>Instrumental bez izvornog teksta u skladnom neskladu s vokalnom izvedbom bez izvornog teksta, 4 kompozicije s jedne strane Teretne plo\u010de i 4 s druge strane Teretne plo\u010de prisvajaju nestabilni dijagram. Dvije strane istoga, vizualni prizori i zvu\u010dne krivulje spojeni rascjepom. Plesna bitka izvan dijagrama mije\u0161a sve terete u ubrzavaju\u0107oj brzini koja stvara prividno kretanje i rastvara \u010dudnovatu petlju, spajaju\u0107i izvorni zvuk i pokret na mjestu te\u017eine i kretanja.<\/p><p>Pro\u0161ireni muzi\u010dki sadr\u017eaji \/ zvu\u010dna podloga: uvodna tema G. Damiani &#8211; Deep Throat, Don van Vliet &#8211; Evening bell Pokretnu instalaciju \u010dini limeni Taumatrop &#8211; magnetska teretna plo\u010da i 90 ru\u010dnih Taumatropa \u010covjeka i Petlje sa sposobno\u0161\u0107u \u010dudnovatog obrtaja.<br \/>Pro\u0161ireni sadr\u017eaji Taumatropa: Dijagram svijeta kao velikog tereta, ideogrami temeljnih pokreta pri radu, kanon mjernih odnosa pojedinih segmenata tijela, te\u017eine i stupnjevi slobode gibanja pojedinih segmenata tijela, kronofotografije skaka\u010dice.<\/p><p><strong>Sources:<\/strong> Z. \u0160ilovi\u0107, D. vanVliet, G. Deleuze, F. Gilbreth, E. Muybridge, S. Weil, G. Damiani, G. Fritsch, F. Nietzsche, J. Mckenzie, A. Corbijn<\/p><p><strong>Posve\u0107eno hrabrim \u010dlanovima grupe Deep throat &#8211; \u0160ilu, Dunji, Kre\u0161i, Igoru i Goranu.<\/strong><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-5dcd4e7 elementor-reverse-mobile elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"5dcd4e7\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-e486932\" data-id=\"e486932\" data-element_type=\"column\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-08befe5\" data-id=\"08befe5\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-35458c6 elementor-widget__width-initial elementor-widget-mobile__width-inherit elementor-widget-tablet__width-inherit elementor-widget elementor-widget-text-editor\" data-id=\"35458c6\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><b>Mandarin<\/b><\/p><p>\u0160to ako se jedne no\u0107i u tvojem najdubljem snu do\u0161ulja teretni \u010dovjek i ka\u017ee ti: Ovaj teret kojeg sad nosi\u0161 i kojeg si nosila morat \u0107e\u0161 prenijeti jo\u0161 jednom i jo\u0161 nebrojeno puta, a u njemu ne\u0107e biti ni\u010dega novog, nego \u0107e ti se uvijek iznova vra\u0107ati svako optere\u0107enje i svako rastere\u0107enje i svako prihva\u0107anje male i velike te\u017eine tvojega tereta i sve to istim redom i slijedom, a jednako tako i ovaj rak-hlap i ova mjese\u010dina na pje\u0161\u010daniku, ba\u0161 kao i ovaj trenutak, i ja sam, vje\u010dita pje\u0161\u010dana vaga, a i ti s njim, zrnce pijeska!<\/p><p><b>Boa Constrictor<\/b><\/p><p>Svim prirodnim procesima du\u0161e upravljaju zakoni sli\u010dni zakonima te\u017eine,<\/p><p>Kretanje s jednim stupnjem slobode gibanja<\/p><p>Stopalo 0,596 kg \/ Potkoljenica 2,0174 kg \/ Natkoljenica 6,246 kg<\/p><p>Ako je te\u017eina dolaze\u0107e kugle manja od stati\u010dne, kugle kre\u0107u u suprotnome smjeru, kugla manje te\u017eine ima ve\u0107u brzinu,<\/p><p>Jedna Noga \/ 25 stupnjeva slobode gibanja<\/p><p>Uvijek treba o\u010dekivati da se stvari doga\u0111aju ovisno o te\u017eini,<\/p><p>Kretanje s dva stupnja slobode gibanja<\/p><p>\u0160aka 0,238 kg \/ podlaktica 0,628 kg \/ nadlaktica 1,189 kg<\/p><p>Ako je te\u017eina dolaze\u0107e kugle ista kao i stati\u010dne,<br \/>dolaze\u0107a se zaustavlja, kugle izmjenjuju brzinu,<\/p><p>Ruka s ramenom \/ 28 stupnjeva slobode gibanja<\/p><p>Obi\u010dno je ono \u0161to od drugih o\u010dekujemo odre\u0111eno te\u017einom u nama,<br \/>a ono \u0161to od drugih primamo te\u017einom u njima,<\/p><p>Kretanje s tri stupnja slobode gibanja<\/p><p>Glava i vrat 3,509 kg<\/p><p>Ako je te\u017eina dolaze\u0107e kugle ve\u0107a od stati\u010dne, brzine su pozitivne u smjeru dolaze\u0107e,<\/p><p>Glava i vrat \/ 20 posto stupnjeva slobode gibanja<\/p><p>Ponekad se te\u017eine poklope, \u010de\u0161\u0107e ne,<\/p><p>Kretanje s promjenljivim brojem stupnjeva slobode gibanja<\/p><p>Donji trup 5,167 kg \/ Srednji trup 6,319 kg \/ Gornji trup 6,532 kg<\/p><p>Prijenos kretanja u lancu kugli istih te\u017eina, samo se posljednja kre\u0107e. Sve se osim posljednje kre\u0107u brzinom dolaze\u0107e.<\/p><p>Kralje\u0161nica s grudnim ko\u0161em \/ 54 stupnjeva slobode gibanja<\/p><p><b>Mali Disaster<\/b><\/p><p>Podignimo zadak! Pa to je \u010dudesno! Tu ga nema!<br \/>Naravno da ga nema.<br \/>Ne mislim na gonophor. Tu nema pleopoda!<\/p><p>Dijagonalne crte iz sredi\u0161ta ramenih zglobova u sredi\u0161tu glavica bedrenih kosti<br \/>sjeku se u podru\u010dju pupka.<br \/>Du\u017eina \u0161ake jednaka je udaljenosti izme\u0111u sredi\u0161ta glavice bedrene kosti i pupka.<\/p><p>\u0160irina glave jednaka je visini<br \/>jednog podmodula.<br \/>Udaljenost izme\u0111u sredi\u0161ta glavica bedrenih kosti je jedan podmodul.<\/p><p>Ako se iz to\u010dke ramene osi povu\u010de paralelan pravac s du\u017einom koja spaja<br \/>sredi\u0161te ramenog zgloba s korijenom nosa,<br \/>onda se u sjeci\u0161tu tog pravca i dijagonalne crte nalazi grudna bradavica.<\/p><p>Du\u017eina podlaktice jednaka je du\u017eini izme\u0111u bradavice i pupka.<br \/>Du\u017eina nadlaktice odgovara du\u017eini izme\u0111u sredi\u0161ta ramenog zgloba<br \/>i grudne bradavice.<br \/>Du\u017eina natkoljenice odgovara zbroju du\u017eina podlaktice i \u0161ake,<br \/>ili du\u017eini od bradavice do sredi\u0161ta suprotne glavice bedrene kosti.<br \/>Du\u017eina potkoljenice jednaka je udaljenosti izme\u0111u grudne bradavice i sredi\u0161ta glavice bedrene kosti<br \/>na istoj strani.<\/p><p>Vrh brade ispod baze nosa nalazi se na visini<br \/>tre\u0107ine podmodula.<br \/>Jedna tre\u0107ina podmodula jednaka je visini stopala.<\/p><p><b>KONTEJNER<\/b><br \/><br \/>LJESTVE SLOVO U<br \/>LJESTVE BEZ JEDNE CRTE<br \/>\u010cOVJEK PADA<br \/>RUKA HVATA POTKOVA<br \/>RUKA PU\u0160TA<br \/>STRELICA CILJA<br \/>POVE\u0106ALO<br \/>KRAJI\u010cAK OKA AHOU<br \/>TAMNOLJUBI\u010cASTI \u2013 SKLAPANJE<br \/>PURPURNI \u2013 UPOTREBLJAVANJE<br \/>OKO GLEDA<br \/>\u010cOVJEK PAUZIRA<br \/>AHOU AHOU AHOU<br \/>SVIJETLOLJUBI\u010cASTI \u2013 RASKLAPANJE<br \/>OKER\u017dUTI \u2013 ZASTAJANJE<br \/>SVIJETLOCRVENI \u2013 HVATANJE<br \/>OKERZLATNI \u2013 DR\u017dANJE<br \/>\u010cOVJEK PLANIRA AHOU<br \/>SVIJETLOSIVI \u2013 BIRANJE<br \/>\u017dARKONARAN\u010cASTI-KONTROLIRANJE<br \/>CRNI \u2013 TRA\u017dENJE<br \/>SIVI \u2013 NALA\u017dENJE<br \/>LIMUN\u017dUTI \u2013 PAUZIRANJE<br \/>SME\u0110I \u2013 PLANIRANJE<br \/>ZELENI \u2013 TOVARENJE<br \/>PLAVI \u2013 POSTAVLJANJE<br \/>AHOU PUNA RUKA<br \/>AHOU OLOVKA U RUCI<br \/>AHOU KEGLA<br \/>PRAZNA RUKA<br \/>AAAHA AAAHA AAAHA AAAHA<br \/>AAAHA AAAHA<br \/>RUKA PU\u0160TA<br \/>AAAHA AAAHA AAAHA AAAHA<br \/>\u010cOVJEK ODMARA<br \/>AAAHA AAAHA<br \/>NEBESKO PLAVI<br \/>AAAHA AAAHA<br \/>MASLINASTOZELENI<br \/>TAMNOCRVENI<br \/>NARAN\u010cASTI<br \/>O\u0160TRO<br \/>STEPENI\u010cASTO VALOVITO<br \/>OSVIJETLJENO<\/p><p><b>STO<\/b><\/p><p>Te\u0161ki mali teret je ba\u0161 posko\u010dio,<br \/>Teretu, kako si dobila ime \u2013Te\u0161ki mali teret,<br \/>Vjerojatno ime koje te optere\u0107uje,<\/p><p>Kako to ska\u010de\u0161,<br \/>Kako podi\u017ee\u0161 koljeno tako glatko i lijeno,<br \/>Kako si nau\u010dila povla\u010diti lakat tako nisko,<br \/>a stopalo zabacuje\u0161 da sve izlu\u0111uje\u0161?<br \/>Svaki mali teret, svaki mali teret je ba\u0161 posko\u010dio,<\/p><p>Kako prebacuje nogu, tu nema pravila<br \/>povla\u010di lakat tako nisko,<br \/>stopalo zabacuje tako da sve izlu\u0111uje.<\/p><p>Ona spu\u0161ta koljeno ni\u017ee nego treba biti,<br \/>ona di\u017ee bedro vi\u0161e nego mo\u017ee biti<br \/>Aaahaa Aaahaa<\/p><p>Ona ima odgovor na svako pitanje<br \/>A moje je pitanje koliko visoko, koliko daleko, koliko puta mo\u017ee\u0161 sko\u010diti?<br \/>To ne\u0107e\u0161 nikada doznati od mene!<\/p><p>Kada stane\u0161 na zemlju, teretu, odbacuje\u0161 se nogom uzleta,<br \/>da bi visoko sko\u010dila, vode\u0107u nogu savija\u0161 u koljenu<br \/>Te\u0161ki mali teret, te\u0161ki mali teret<br \/>Koliko visoko, koliko visoko, koliko visoko<\/p><p>Kako zamahuje\u0161 rukama naprijed?<br \/>Odrazuje\u0161 se tako daleko<br \/>Te\u0161ki mali teret, te\u0161ki mali teret.<br \/>Koliko daleko, koliko daleko, koliko daleko<\/p><p>Te\u0161ki mali teret je ba\u0161 posko\u010dio,<br \/>Teretu, kako si dobila ime \u2013Te\u0161ki mali teret,<br \/>Vjerojatno ime koje te optere\u0107uje,<\/p><p>Kako to ska\u010de\u0161,<br \/>Kako podi\u017ee\u0161 koljeno tako glatko i lijeno,<br \/>Kako si nau\u010dila povla\u010diti lakat tako nisko,<br \/>a stopalo zabacuje\u0161, zabacuje\u0161 tako da sve izlu\u0111uje\u0161.<\/p><p>Te\u0161ki mali teret je ba\u0161 posko\u010dio,<br \/>Teretu, kako si dobila ime \u2013Te\u0161ki mali teret,<br \/>Vjerojatno ime koje te optere\u0107uje!<\/p><p><b>Veliki Disaster<\/b><\/p><p>Hlapovi se terete nakon \u0161to odbace svlak koji sli\u010di stezniku,<br \/>u to su doba najosjetljiviji, \u0161to se ti\u010de tereta;<br \/>Da bi si omogu\u0107ila uspje\u0161no tere\u0107enje, hlapska je zajednica razvila slo\u017eena pravila:<br \/>kada je hlapica spremna odbaciti svlak,<br \/>prilazi petlji, gdje je rak hlap,<br \/>zapahne ga.<br \/>On odgovara tako da ograncima za plivanje uskome\u0161a vodu pa mu njezin miris<br \/>pro\u017eme cijelu petlju;<br \/>Iza\u0111e iz petlje podignutih klije\u0161ta,<br \/>ona odgovara kratkim boksanjem,<br \/>ili okrene le\u0111a.<br \/>Oba pristupa funkcioniraju pa hlap povjeruje u njezine teretne namjere.<br \/>Zajedno u\u0111u u petlju.<\/p><p><b>Ekstreman glazbeni performans<\/b><br \/>\u017diva priroda kazali\u0161ta &#8211; Zanimljivost Teretnog \u010dovjeka o\u010dituje se i u njegovu promjenljivu trajanju koje ovisi o glazbenoj sekciji, a koja pak nikako nije samo podloga ili pratnja, ve\u0107 je dramatur\u0161ki ravnopravna kazali\u0161nom, izvo\u0111a\u010dkom materijalu. Tako se okvirnih 40-ak minuta trajanja mo\u017ee katkada i produljiti, ako se glazbenici povedu za slobodnom improvizacijom, u \u010demu \u0107e ih onda izvo\u0111a\u010di slijediti ili pak skratiti zadobije li izvedba freneti\u010dni tempo u kojem \u0107e slu\u010daju gledatelj iza\u0107i iz predstave bombardiran dojmovima, dokraja shvativ\u0161i \u0161to je zna\u010dilo ono \u00abekstremno muzi\u010dki performans\u00bb iz najave. Mo\u017eda je stoga ponajve\u0107a vrijednost ove Indo\u0161eve produkcije vidljivost i osjetnost krhke, \u00ab\u017eive\u00bb prirode kazali\u0161nog djela koju predstava ne nastoji nadi\u0107i (\u0161to prevladava u gotovo s svim produkcijama, neovisno o tome pripadaju li institucionalnom ili izvanistitucionalnom kazali\u0161tu), ve\u0107 upravo po\u0161tovati specifi\u010dnost medija. Misliti iz medija, razumijevati medij, proizvoditi stalno iznova medij ne bi li se uvjerili u na\u010dine i razine njegove promjenljivosti i osobitosti.<br \/><b>Lider \u2013 14. 11. 2008., Irena \u010curik<\/b><\/p><p><b>Multimedijski notni zapis<\/b><br \/>Glazbeni dio performansa iz po\u010detne se kakofonije prometnuo u pomalo meditativne melodije jazza, dok je s tjelesnim dijelom upravo suprotno. Ples trojca prometnuo se u bitku s vlastitim tijelom, teretom, \u010diji je rezultat nakon ubrzanja, naravno, bilo pokleknu\u0107e pod teretom. Uskla\u0111ivanjem dviju neuskladivih stvari \u2013instrumental bez teksta i vokalnu izvedbu s naknadno napisanim tekstom \u2013 stvorili su intrigantan performans koji spaja zvuk i pokret, ali kao da su publiku ipak trun\u010dicu preopteretili. No, \u00abTeretni \u010dovjek\u00bb je svakako promaknuo odrednice NO JAZZ festivala, koji je ovim potezom za\u0161ao u podru\u010dje eksperimentalnih izvedbi.<br \/><b>Vjesnik, ve\u010dernje izdanje \u2013 7. 11. 2008, Zrinka Zor\u010dec<\/b><\/p><p><b>Teatar itd, No Jazz festival i Ku\u0107a ekstremnog muzi\u010dkog kazali\u0161ta: Damir Bartol Indo\u0161, Tanja Vrvilo, Teretni \u010dovjek<br \/>Rastere\u0107ivanje du\u0161a<\/b><br \/>Pitanje te\u017eine, ili bolje tereta, nova je zaslu\u017eena tema Damira Bartola Indo\u0161a razmatrana u predstavi Teretni \u010dovjek, \u010dije autorstvo dijeli s Tanjom Vrvilo.Teretni \u010dovjek mogao bi se ozna\u010diti glazbenim teatrom, kao svojevrsni hibrid jazz koncerta i performansa.Varijacije na temu, ili drugim rije\u010dima improvizacije, u osnovi su koncertnog performansa, kojima se pokret i glasovna-tekstualna izvedba implementiraju u matricu sampla Captaina Beefhearta Crazy Little Thing i notnog zapisa Zorana \u0160ilovi\u0107a, predvi\u0111ena za punk jazz grupu Deep Throat. U maniri ve\u0107 uobi\u010dajenih introspektivnih i hermeti\u010dnih, autisti\u010dnih neprobojnih autorskih iskaza Indo\u0161 nastoji uspostaviti ravnote\u017eu izme\u0111u dviju teretnih plo\u010da, ozna\u010duju\u0107i ih kao instrumentalnu izvedbu s jedne te vokalnu izvedbu s druge strane, obje bez izvornog teksta. Posreduju\u0107i u prijenosu optere\u0107enja s jedne na drugu ozna\u010denu stranu, Indo\u0161 ravnote\u017eu zapravo uspostavlja na metafizi\u010dkoj razini, izme\u0111u du\u0161a koje nastavaju svijet i njihovih me\u0111usobnih emotivnih punjenja i pra\u017enjenja. Teretne plo\u010de rezervirane su za glazbenike na glasoviru, kontrabasu, trubi i ksilofonu (Damir Prica Kafka, Sven Bui\u0107,Andreja Ko\u0161avi\u0107,Igor Pavlica,Igor Maru\u0161i\u0107 Klif,) , a sredi\u0161tem scene dominira raznoliki scenski instrumentarij kojim dvoje autora uz Emila Mate\u0161i\u0107a kao suizvo\u0111a\u010da propituju prijenose mase i izmjenu brzina dvaju dijelova tijela u srazu,vre\u0107ice s pijeskom obje\u0161ene na razli\u010ditim visinama podloge, kugle i \u017eljebovi kojima putuju, \u017eica savijena u kru\u017enicu, metalne penjalice. Gibanje izvo\u0111a\u010da \u010dija se tijela terete ma\u0161inerijom ograni\u010dava se na odre\u0111eni broj stupnjeva slobode. Za to vrijeme po\u010detna meditativnost skladbi prerasta u osloba\u0111aju\u0107i i gromki izljev zvukova (&#8230;) U odnosu na prethodna Indo\u0161eva ostvarenja, Teretni \u010dovjek umjetni\u010dke dosege najvi\u0161e duguje procesualnosti uokvirenoj improvizacijskim na\u010delom, \u010dime je glazbeni performans definirani oblik poprimio tek u trenutku nastajanja na sceni.<br \/><b>Vijenac \u2013 20.11. 2008., Ivana Slunjski<\/b><\/p><p><b>Glazbeno crtovlje umjesto crte \u017eivota<\/b><br \/>Na\u010din na koji Indo\u0161ev ansambl misli svoju temu nagla\u0161eno je komunalan \u2013 ulo\u017een je napor u stvarala\u010dku ravnopravnost i me\u0111usobno uva\u017eavanje svih sudionika predstave, kao i u namjernu procesualnost ne samo muziciranja, govorenja i kretanja, nego i samih predmeta koji se \u010dine izra\u0111eni specijalno za ovu priliku.<br \/><br \/><b>Te\u0161ki mali tereti<\/b><br \/>Performeri u sastavu Damira Bartola Indo\u0161a, Tanje Vrvilo, i Emila Mate\u0161i\u0107a, plus glazbeni tim koji obuhva\u0107a Damira Pricu Kafku, Svena Bui\u0107a, Andreju Ko\u0161avi\u0107, Ivana Maru\u0161i\u0107a Klifa, Igora Pavlicu i Nicole Hewitt, bave se te\u017einom,ali i varijabilno\u0161\u0107u ponavljanja, matemati\u010dki preciznim mjerenjima te\u017eine i svijanja tijela, te\u017einom suradnje te te\u017einom kao preduvjetom nastanka bilo koje zajednice. Njihova je neposredna inspiracija kajdanka s notama punk jazz grupe \u00abDeep Throat\u00bb prona\u0111ena u ostav\u0161tini prerano preminulog Zorana \u0160ilovi\u0107a. Te\u0161ko je pobrojati simultane akcije izvo\u0111ene na pozornici \u00abTeretnog \u010dovjeka\u00bb: tu je glazba ozvu\u010denih kugli koje se kotrljaju nazna\u010denim putanjama, perkusionisti\u010dki ples \u00abmetlica\u00bb kojima Mate\u0161i\u0107 dodiruje posebno konstruirane reljefne limene povr\u0161ine na sceni, \u00abgovor o poklapanju te\u017eina\u00bb kao nekoj vrsti ljubavi, tr\u010danje u mjestu, ljuljanje na posebno izgra\u0111enoj polukru\u017enoj \u017eeljeznoj konstrukciji, jazz muziciranje u \u017eivo, Indo\u0161evo savijanje \u017eice u znak \u00abpetlje\u00bb (inspirirano Deleuzevim tekstovima o \u00abnaborima\u00bb ili \u00abfaldama\u00bb, to\u010dnije re\u010deno uvijanjima i stalno novim pregibima kao znaku vje\u010ditog baroka filozofskog mi\u0161ljenja), kao i Mate\u0161i\u0107eva koreografija ruku koje ulaze u prostor petlje \u00abpro\u017eimaju\u0107i\u00bb se pokretima s njezinom kru\u017enicom.<br \/><b>Novi list \u2013 8. 11. 2008., Nata\u0161a Govedi\u0107<\/b><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>Teretni \u010dovjek Previous Next Autori: Damir Bartol Indo\u0161, Tanja Vrvilo Izvode: Emil Mate\u0161i\u0107, Tanja Vrvilo, Damir Bartol Indo\u0161, Damir Prica Kafka &#8211; klavir &#8211; sax, Sven Bui\u0107 &#8211; kontrabas, Andreja Ko\u0161avi\u0107 &#8211; truba &#8211; glas, Ivan Maru\u0161i\u0107 Klif &#8211; zvuk, Igor Pavlica &#8211; truba, Dragan Paji\u0107 Pajo &#8211; gitara Fotografija, likovno oblikovanje: Ratko MavarCrte\u017e: Branislav &hellip;<\/p>\n<p class=\"read-more\"> <a class=\"\" href=\"https:\/\/www.dbindos.info\/en\/projekti\/teretni-covjek\/\"> <span class=\"screen-reader-text\">Teretni \u010dovjek<\/span> Read More &raquo;<\/a><\/p>","protected":false},"author":1,"featured_media":0,"parent":5413,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-global-header-display":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":""},"_links":{"self":[{"href":"https:\/\/www.dbindos.info\/en\/wp-json\/wp\/v2\/pages\/10227"}],"collection":[{"href":"https:\/\/www.dbindos.info\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.dbindos.info\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.dbindos.info\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.dbindos.info\/en\/wp-json\/wp\/v2\/comments?post=10227"}],"version-history":[{"count":61,"href":"https:\/\/www.dbindos.info\/en\/wp-json\/wp\/v2\/pages\/10227\/revisions"}],"predecessor-version":[{"id":10303,"href":"https:\/\/www.dbindos.info\/en\/wp-json\/wp\/v2\/pages\/10227\/revisions\/10303"}],"up":[{"embeddable":true,"href":"https:\/\/www.dbindos.info\/en\/wp-json\/wp\/v2\/pages\/5413"}],"wp:attachment":[{"href":"https:\/\/www.dbindos.info\/en\/wp-json\/wp\/v2\/media?parent=10227"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}