{"id":3897,"date":"2022-02-04T10:21:24","date_gmt":"2022-02-04T10:21:24","guid":{"rendered":"https:\/\/www.dbindos.info\/?page_id=3897"},"modified":"2023-12-20T09:11:47","modified_gmt":"2023-12-20T09:11:47","slug":"krilate-slike","status":"publish","type":"page","link":"https:\/\/www.dbindos.info\/en\/projekti\/krilate-slike\/","title":{"rendered":"Krilate slike"},"content":{"rendered":"<div data-elementor-type=\"wp-page\" data-elementor-id=\"3897\" class=\"elementor elementor-3897\">\n\t\t\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-06098c3 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"06098c3\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column 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class=\"elementor-screen-only\">Previous<\/span>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"elementor-swiper-button elementor-swiper-button-next\">\n\t\t\t\t\t\t<i aria-hidden=\"true\" class=\"eicon-chevron-right\"><\/i>\t\t\t\t\t\t<span class=\"elementor-screen-only\">Next<\/span>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-310b37d elementor-section-height-min-height elementor-section-boxed elementor-section-height-default\" data-id=\"310b37d\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-034fa63\" data-id=\"034fa63\" data-element_type=\"column\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f251c16 elementor-widget-mobile__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"f251c16\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.10.0 - 09-01-2023 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#818a91;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#818a91;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<p>Lekcijski performans &#8220;<strong>Krilate slike&#8221;<\/strong> &#8211; DB Indo\u0161\/ Ku\u0107a ekstremnog muzi\u010dkog kazali\u0161ta<\/p><p>Izvode : <strong>Damir Bartol Indo\u0161,Tanja Vrvilo, Damir Prica Kafka<\/strong><\/p><p><strong>Mo\u010dvara, Zagreb &#8211; 13.10.2015<\/strong>.<br \/>Photos: <strong>Kruno Mavar<\/strong><\/p><p><a href=\"http:\/\/www.zarez.hr\/clanci\/deformer-i-svjetlopisatelj\" target=\"_blank\" rel=\"noopener\"><strong>Suzana Marjani\u0107 (ZAREZ):<\/strong> Deformer i svjetlopisatelj<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-7f9eff3\" data-id=\"7f9eff3\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-cd0a164 elementor-widget__width-initial elementor-widget-mobile__width-inherit elementor-widget-tablet__width-inherit elementor-widget elementor-widget-text-editor\" data-id=\"cd0a164\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>&#8220;Krilate slike&#8221; govore o indigom prekopiranoj fotografiji poziraju\u0107ih politi\u010dkih funkcionara u ovalnom kabinetu prilikom gledanja u\u017eivo video slika dr\u017eavnog atentata. &#8220;Fotografija&#8221; se slu\u0161aju\u0107i tajne zvukove prepri\u010dava \u201ekadar po kadar\u201c a svaka osoba, predmet dobija svoju audio pozadinu \u2013 zvuk, \u0161um, melodiju i manipulirani su prepariranim glasovima. Koriste\u0107i raznovrsne tehnike glasovnih prepariranja u prostoru oglasovljivanja glasovi izvo\u0111a\u010da ne postaju vi\u0161e njihovima ve\u0107 organiziraju auditivnu strukturu u kojoj ne govore oni nego &#8220;ono&#8221;, i to kroz kompleks &#8220;ma\u0161iniziranog&#8221; sklopa napravljenih aparata na kojima i sa kojima se doga\u0111a izvedba. Performans \u201cKrilate slike\u201d izvodi dvije slike, jednu koju gledamo \u2013 linije, krivulje i izbo\u010dine indigoirane fotografije iz politi\u010dkog arhiva, vidljivost koju u procesu izvo\u0111enja &#8220;premazuju\u0107i\/prepisuju\u0107i rije\u010dima\/glasovima&#8221; dekonstruira do najsitnijeg detalja primjenjuju\u0107i misao V. Flussera o digitalizaciji diskurza i praksa u svakodnevnom \u017eivotu, i druge slike koja nije vidljiva, a pretpostavlja sliku onoga \u0161to politi\u010dki funkcionari gledaju, slu\u0161aju &#8211; dr\u017eavnu tajnu (tajno dru\u0161tvo uvijek djeluje u dru\u0161tvu kao ratna ma\u0161ina). \u0160to je to \u0161to je gledano, \u0161to to postaje javnim gledanjem kada se predaje medijskoj manipulaciji, tko govori, tko odgovara, tko je &#8220;taj ili ta&#8221; tko upravo govori, \u0161to je to \u0161to je slu\u0161ano, pitanja su sa kojima ovaj performans radi.<\/p><p>Performans &#8220;Krilate slike&#8221; inspiriran je radovima Villema Flussera (\u201eFilozofija fotografije\u201c, &#8220;Digitalni izgled&#8221;)<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-f4deb5d elementor-widget__width-initial elementor-widget-mobile__width-inherit elementor-widget-tablet__width-inherit elementor-widget elementor-widget-text-editor\" data-id=\"f4deb5d\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><strong>Koncept izvedbe, tekstualni materijali<\/strong><\/p><p>Snimljeni tekst u megafonu br.1 &#8211; 10 sekundi<br \/>Promatramo li kretnje nekog \u010dovjeka opremljenog fotografskim aparatom odnosno fotografski aparat opremljen \u010dovjekom, stje\u010demo dojam stanovitog vrebanja, to je prastara gesta paleolitskog lovca u tundri<br \/>(izvo\u0111enje sa 2 ru\u010dna \u0161ahtofona za vrijeme megafonskog lupa &#8211; kanta i ru\u010dni \u0161ahtofon zaka\u010deni za klavir- svaki sa jedne strane<br \/>Tekst koji se u\u017eivo snima u megafon br 1-10 sek<br \/>sve je digitalni izgled &#8211; rije\u010d postaje neva\u017ena \/ petljanje u\u017eivo uz ritam ma\u0161inu i malu ladicu (bez zvukova opruge)<\/p><p>Snimljeni tekst u megafonu br.2 &#8211; 10 sekundi<br \/>Fotografska gesta odgovara gesti lova pri \u010demu se fotograf i aparat stapaju u jednu nevidljivu funkciju.<br \/>(Izvo\u0111enje dva \u0161ahtofona sa te\u0161kim poklopcima- puno kratkih poteza oprugama sa zustavljanjima koji se pretvaraju u puno dugih poteza oprugama bez zaustavljanja- kaos, \u0161ahtofoni se poklope)<br \/>Tekst koji se u\u017eivo snima u megafon br 1-10 sek \/ ne\u0161to tim vi\u0161e biva realno \u0161to je gu\u0161\u0107e i toliko vi\u0161e potencijalno \u0161to je rjedje \/ udisavanje u\u017eivo uz ritam ma\u0161inu i malu ladicu (bez zvukova opruge)<\/p><p>Snimljeni tekst u megafonu br.3 &#8211; 10 sekundi<br \/>Struktura fotografske geste kvantne je prirode, sumnja sazdana od oklijevanja i odlu\u010divanja izme\u0111u to\u010daka.<br \/>Izvo\u0111enje sa dva ru\u010dna \u0161ahtofona zaka\u010dena za te\u0161ke \u0161ahtofone uz wah pedale za vrijeme megafonskog lupa<\/p><p>Tekst koji se u\u017eivo snima u megafon br 1-10 sek<br \/>realna su ona mjesta krivulje ili izbo\u010dine gdje su sastavni dijelovi gusto posijani \/ izdisavanje u\u017eivo uz ritam ma\u0161inu i malu ladicu (bez zvukova opruge)<\/p><p>Snimljeni tekst u megafonu br.4 &#8211; 10 sekundi<br \/>Tijekom svog vrebanja fotograf jedno prostor vrijeme mijenja u ono drugo, prilago\u0111avaju\u0107i pritom kombinatori\u010dki kategorije prostora i vremena (Tanja izvodi munje na kanti i oprugi koja je fiksirana za kantu- udarcima turpije, Indo\u0161 deformirano ple\u0161e za vrijeme megafonskog lupa)<\/p><p>Tekst koji se u\u017eivo snima u megafon br 1-10 sek<br \/>I mi smo digitalne kompjuterizacije sastavljene iz to\u010dkastih mogu\u0107nosti \/ lajanje u\u017eivo uz ritam ma\u0161inu i malu ladicu (bez zvukova opruge)<\/p><p>Snimljeni tekst u megafonu br.5 &#8211; 10 sekundi<br \/>Fotografskom gestom kona\u010dno se donosi i posljednja odluka: pritiskom na okida\u010d, kao \u0161to ameri\u010dki predsjednik priti\u0161\u0107e crveno dugme (Izvo\u0111enje sa dva ru\u010dna \u0161ahtofona opru\u017eno povezana u rukama sa volumen pedalama &#8211; za vrijeme megafonskog lupa)<\/p><p>Tekst koji se u\u017eivo snima u megafon br 1-10 sek<br \/>Ni\u0161ta nam nije da-to osim ostvarenih mogu\u0107nosti kojih u stvari jo\u0161 ne-ma \/ nagla\u0161avanje &#8211; glasovi<br \/>Tanja i Indo\u0161 lupiraju u\u017eivo tekst o stolu\/<br \/>\u010cak i stol na kojem ovo pi\u0161em ne predstavlja ni\u0161ta drugo osim skupine to\u010daka\/ Kada jednog dana budemo u mogu\u0107nosti taj stol hologramski dovoljno gusto rastaviti na elemente, na\u0161a osjetila ne\u0107e biti sposobna razlikovati jedan od drugoga<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>Krilate slike Previous Next Lekcijski performans &#8220;Krilate slike&#8221; &#8211; DB Indo\u0161\/ Ku\u0107a ekstremnog muzi\u010dkog kazali\u0161ta Izvode : Damir Bartol Indo\u0161,Tanja Vrvilo, Damir Prica Kafka Mo\u010dvara, Zagreb &#8211; 13.10.2015.Photos: Kruno Mavar Suzana Marjani\u0107 (ZAREZ): Deformer i svjetlopisatelj &#8220;Krilate slike&#8221; govore o indigom prekopiranoj fotografiji poziraju\u0107ih politi\u010dkih funkcionara u ovalnom kabinetu prilikom gledanja u\u017eivo video slika dr\u017eavnog &hellip;<\/p>\n<p class=\"read-more\"> <a class=\"\" href=\"https:\/\/www.dbindos.info\/en\/projekti\/krilate-slike\/\"> <span class=\"screen-reader-text\">Krilate slike<\/span> Read More &raquo;<\/a><\/p>","protected":false},"author":1,"featured_media":0,"parent":5413,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-global-header-display":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":""},"_links":{"self":[{"href":"https:\/\/www.dbindos.info\/en\/wp-json\/wp\/v2\/pages\/3897"}],"collection":[{"href":"https:\/\/www.dbindos.info\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.dbindos.info\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.dbindos.info\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.dbindos.info\/en\/wp-json\/wp\/v2\/comments?post=3897"}],"version-history":[{"count":37,"href":"https:\/\/www.dbindos.info\/en\/wp-json\/wp\/v2\/pages\/3897\/revisions"}],"predecessor-version":[{"id":9706,"href":"https:\/\/www.dbindos.info\/en\/wp-json\/wp\/v2\/pages\/3897\/revisions\/9706"}],"up":[{"embeddable":true,"href":"https:\/\/www.dbindos.info\/en\/wp-json\/wp\/v2\/pages\/5413"}],"wp:attachment":[{"href":"https:\/\/www.dbindos.info\/en\/wp-json\/wp\/v2\/media?parent=3897"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}