{"id":8530,"date":"2023-12-14T09:38:55","date_gmt":"2023-12-14T09:38:55","guid":{"rendered":"https:\/\/www.dbindos.info\/?page_id=8530"},"modified":"2023-12-14T10:40:26","modified_gmt":"2023-12-14T10:40:26","slug":"kineski-rulet","status":"publish","type":"page","link":"https:\/\/www.dbindos.info\/en\/projekti\/kineski-rulet\/","title":{"rendered":"CHINESE ROULETTE"},"content":{"rendered":"<div data-elementor-type=\"wp-page\" data-elementor-id=\"8530\" class=\"elementor elementor-8530\">\n\t\t\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-06098c3 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"06098c3\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-f7fc9af\" data-id=\"f7fc9af\" data-element_type=\"column\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-478b75a elementor-widget-mobile__width-inherit elementor-widget elementor-widget-heading\" data-id=\"478b75a\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.10.0 - 09-01-2023 *\/\n.elementor-heading-title{padding:0;margin:0;line-height:1}.elementor-widget-heading .elementor-heading-title[class*=elementor-size-]>a{color:inherit;font-size:inherit;line-height:inherit}.elementor-widget-heading .elementor-heading-title.elementor-size-small{font-size:15px}.elementor-widget-heading .elementor-heading-title.elementor-size-medium{font-size:19px}.elementor-widget-heading .elementor-heading-title.elementor-size-large{font-size:29px}.elementor-widget-heading .elementor-heading-title.elementor-size-xl{font-size:39px}.elementor-widget-heading .elementor-heading-title.elementor-size-xxl{font-size:59px}<\/style><h1 class=\"elementor-heading-title elementor-size-default\">CHINESE ROULETTE<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-310b37d elementor-reverse-mobile elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"310b37d\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-034fa63\" data-id=\"034fa63\" data-element_type=\"column\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f251c16 elementor-widget-mobile__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"f251c16\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.10.0 - 09-01-2023 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#818a91;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#818a91;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<p><strong>6. \u2013\u00a0 15. 5. 2005. \u2013 &amp;TD Theatre, Zagreb<\/strong><\/p><p>Production author: <strong>Nata\u0161a Rajkovi\u0107<\/strong><br \/>Concept author: <strong>Damir Bartol Indo\u0161<\/strong><br \/>Protagonists: <strong>Ana Kari\u0107, Tvrtko Juri\u0107, Nata\u0161a Dangubi\u0107, Vili Matula, Tanja Vrvilo, Damir Bartol Indo\u0161<\/strong><br \/>Musicians: <strong>Damir Prica Kafka, Andreja Ko\u0161avi\u0107, Igor Pavlica<\/strong><br \/>Dramaturgy: <strong>Una Bauer<\/strong><br \/>Costimography: <strong>Ana Savi\u0107 Gecan<\/strong><br \/>Video and Film animations: <strong>Nicole Hewitt<\/strong><br \/>Sketches,Text,Voice: <strong>Vladimir Gudac<\/strong><br \/>Architectual scene design: <strong>Sanja Pamukovi\u0107<\/strong><br \/>Adapted for the stage: <strong>Damir Bartol &#8211; INDO\u0160, Tanja Vrvilo, Vilim Matula<\/strong><\/p><p>Production: \u201cCulture of Change\u201d Student Center-Zagreb<br \/>OFFICE FOR CULTURE OF THE CITY OF ZAGREB<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-ff7cc0d elementor-widget elementor-widget-image\" data-id=\"ff7cc0d\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.10.0 - 09-01-2023 *\/\n.elementor-widget-image{text-align:center}.elementor-widget-image a{display:inline-block}.elementor-widget-image a img[src$=\".svg\"]{width:48px}.elementor-widget-image img{vertical-align:middle;display:inline-block}<\/style>\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.dbindos.info\/wp-content\/uploads\/002.jpg\" data-elementor-open-lightbox=\"yes\" e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6ODU0MCwidXJsIjoiaHR0cHM6XC9cL3d3dy5kYmluZG9zLmluZm9cL3dwLWNvbnRlbnRcL3VwbG9hZHNcLzAwMi5qcGcifQ%3D%3D\">\n\t\t\t\t\t\t\t<img decoding=\"async\" width=\"428\" height=\"556\" src=\"https:\/\/www.dbindos.info\/wp-content\/uploads\/002.jpg\" class=\"attachment-full size-full wp-image-8540\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/www.dbindos.info\/wp-content\/uploads\/002.jpg 428w, https:\/\/www.dbindos.info\/wp-content\/uploads\/002-231x300.jpg 231w, https:\/\/www.dbindos.info\/wp-content\/uploads\/002-9x12.jpg 9w\" sizes=\"(max-width: 428px) 100vw, 428px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-7f9eff3\" data-id=\"7f9eff3\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-c35deba elementor-widget__width-initial elementor-widget-tablet__width-inherit elementor-widget-mobile__width-inherit elementor-widget elementor-widget-image\" data-id=\"c35deba\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"428\" height=\"556\" src=\"https:\/\/www.dbindos.info\/wp-content\/uploads\/001.jpg\" class=\"attachment-full size-full wp-image-8539\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/www.dbindos.info\/wp-content\/uploads\/001.jpg 428w, https:\/\/www.dbindos.info\/wp-content\/uploads\/001-231x300.jpg 231w, https:\/\/www.dbindos.info\/wp-content\/uploads\/001-9x12.jpg 9w\" sizes=\"(max-width: 428px) 100vw, 428px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-010ef6a elementor-widget__width-initial elementor-widget-mobile__width-inherit elementor-widget-tablet__width-inherit elementor-widget elementor-widget-text-editor\" data-id=\"010ef6a\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><strong>On the play-film Chinese Roulette<\/strong><br \/>Truth-game \u201cChinese Roulette\u201d, based on the homonymous movie, is the model for the homonymous play. Dangerous game as a collective hallucination of the hostages and the hijackers, tourists and terrorists, male and female clerks on the mission of voyage, education, presentation; it is a game which duration is limited by the time it takes for the final decision of the government to arrive. The participants of this hostage crisis spend their time playing with marbles, enacting scenes from movies, learning foreign words, presenting plays, stealing life-time from each others, before the arrival of members of the special operations forces units, teams of investigators, forensics experts, coroners, and, finally, members of the media. The game ends with an attempted escape, with a wish to be free from the situation in which nobody is innocent, in which everyone is guilty, because, if they weren\u2019t, how could they possibly find themselves in a situation of extreme guilt \/neither the hijackers nor the saviors accept innocence as a possible category of value\/.<\/p><p>The dangerous game relies on the mutual entanglement of the docu-fictional filmic material, personal story of the individual and the given task, within the boundaries of the rules of the game organized as polychromatic areas of the zones of free movement of individuals and groups; it demands and stipulates life by political activism.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-3026d21 elementor-widget__width-initial elementor-widget-tablet__width-inherit elementor-widget-mobile__width-inherit elementor-widget elementor-widget-image\" data-id=\"3026d21\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"428\" height=\"556\" src=\"https:\/\/www.dbindos.info\/wp-content\/uploads\/003.jpg\" class=\"attachment-full size-full wp-image-8541\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/www.dbindos.info\/wp-content\/uploads\/003.jpg 428w, https:\/\/www.dbindos.info\/wp-content\/uploads\/003-231x300.jpg 231w, https:\/\/www.dbindos.info\/wp-content\/uploads\/003-9x12.jpg 9w\" sizes=\"(max-width: 428px) 100vw, 428px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-655e766 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"655e766\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-2b49ef1\" data-id=\"2b49ef1\" data-element_type=\"column\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-a28fc86 elementor-widget elementor-widget-image\" data-id=\"a28fc86\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.dbindos.info\/wp-content\/uploads\/004.jpg\" data-elementor-open-lightbox=\"yes\" e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6ODU0MiwidXJsIjoiaHR0cHM6XC9cL3d3dy5kYmluZG9zLmluZm9cL3dwLWNvbnRlbnRcL3VwbG9hZHNcLzAwNC5qcGcifQ%3D%3D\">\n\t\t\t\t\t\t\t<img decoding=\"async\" width=\"428\" height=\"556\" src=\"https:\/\/www.dbindos.info\/wp-content\/uploads\/004.jpg\" class=\"attachment-full size-full wp-image-8542\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/www.dbindos.info\/wp-content\/uploads\/004.jpg 428w, https:\/\/www.dbindos.info\/wp-content\/uploads\/004-231x300.jpg 231w, https:\/\/www.dbindos.info\/wp-content\/uploads\/004-9x12.jpg 9w\" sizes=\"(max-width: 428px) 100vw, 428px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-7a53ca1 elementor-widget elementor-widget-image\" data-id=\"7a53ca1\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.dbindos.info\/wp-content\/uploads\/005.jpg\" data-elementor-open-lightbox=\"yes\" e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6ODU0MywidXJsIjoiaHR0cHM6XC9cL3d3dy5kYmluZG9zLmluZm9cL3dwLWNvbnRlbnRcL3VwbG9hZHNcLzAwNS5qcGcifQ%3D%3D\">\n\t\t\t\t\t\t\t<img decoding=\"async\" width=\"428\" height=\"556\" src=\"https:\/\/www.dbindos.info\/wp-content\/uploads\/005.jpg\" class=\"attachment-full size-full wp-image-8543\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/www.dbindos.info\/wp-content\/uploads\/005.jpg 428w, https:\/\/www.dbindos.info\/wp-content\/uploads\/005-231x300.jpg 231w, https:\/\/www.dbindos.info\/wp-content\/uploads\/005-9x12.jpg 9w\" sizes=\"(max-width: 428px) 100vw, 428px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-46ae25d\" data-id=\"46ae25d\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-d1ffb7d elementor-widget__width-initial elementor-widget-mobile__width-inherit elementor-widget-tablet__width-inherit elementor-widget elementor-widget-text-editor\" data-id=\"d1ffb7d\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"lead\"><p class=\"naslov\"><strong>CALL TO MADNESS <br \/>\u201cCHINESE ROULETTE\u201d BY DAMIR BARTOL INDO\u0160 AT &amp;TD THEATRE IN ZAGREB<\/strong><\/p><p>An insolent anarchistic satire. That is roughly the average opinion of the majority of audience after seeing the play \u201cChinese Roulette\u201d by Damir Bartol Indo\u0161 and his followers at the &amp;TD Theatre. During the vehement discussions of the supporters and opponents, it has been observed that \u201cChinese Roulette\u201d is a fascinating shortcut to metaphysics, theatrical catastrophe in which actors do not know what they are doing, and a cleansed poetics of Carl Jaspers; however, that is always the case with Indo\u0161\u2019s artistic works. So, do not ask me what is \u201cChinese Roulette\u201d about, because that is the question that, in the case of Damir Bartol Indo\u0161, has not been readily answerable for the last 30 years.<br \/>This new endeavor is a kind of total performance in which music, stage objects and actors, in cacophonic cascades of movements, sounds and words, merge in a surreal world of a single highly aestheticized intellectual concept. \u201cChinese Roulette\u201d is theatre of stark spectacle \u2013 on the stage that looks like storage of abandoned electronic equipment, a shaky cockpit or a crazy artists\u2019 music studio \u2013 where the audience, laboriously following transmind events on the stage, can see what it wants to see.<br \/>The meaning of Indo\u0161\u2019s plays, \u201cChinese Roulette\u201d included, can be sensed through the behavior of viewer\u2019s whole body; the way you receive the sounds of motor-saw, movements similar to the movements of heavily retarded persons, dust and sweat of the participants and piles of stage material that look like a nuclear impact aftermath. Only later, by a kind of cold sweat illumination, like after a nightmare, you realize that it is all about an unfortunate girl, war or the inhumanity of the technological civilization. In \u201cChinese Roulette\u201d all these audio-visual provocations appear somewhat cleansed; Indo\u0161 and his crew start off from Fassbinder\u2019s theme about the relationship between terror and democracy, but then, without hesitation, they transform this, at least partially, coherent problem into thousands of signs, symbols and a performance that ensues exclusively from a kind of spontaneity, stream of consciousness of performers themselves and the pattern of stars on the sky that very night.<br \/>The audience can only forget everything they know about the theatre up to that point and surrender themselves to a stream of impressions at that impossible place. That charm of unpredictability in which the actors \u2013 Ana Kari\u0107, Vilim Matula, Nata\u0161a Dangubi\u0107, Tvrtko Juri\u0107, Tanja Vrvilo and Damir Bartol Indo\u0161 \u2013 with complete presence of mind take part in some unconnected activities, while in the background a live band with a singer plays a particularly elegiac melody, somewhat resembling the ones at Rick\u2019s bar in Casablanca, make this play \u2013 assuming that the audience accepts it \u2013 exciting in an odd way. That is the point at which \u201cChinese Roulette\u201d stands or fails: if the audience decides to abandon logical explanation to what they hear and see and starts to make conclusions by the authenticity of the experience, than this insolent anarchistic satire has a chance to be \u201cpostdramatic theatre of change\u201d, as described by &amp;TD\u2019s producer Nata\u0161a Rajkovi\u0107.<br \/>If we consider Damir Bartol Indo\u0161\u2019s project in the context of the Croatian, predominantly pale, theatre of diminished passions, then \u201cChinese Roulette\u201d \u2013 which surely will not attract subscription audience, but will attract young audiences thirsty for madness, excitement and provocation \u2013 is a performance of authentic energy and brave exploration.<br \/><strong>Bojan Munjin<\/strong><\/p><p class=\"naslov\"><strong>Hostage crisis on theatre stage<\/strong><br \/><strong>IS THERE A DIFFERENCE BETWEEN HIJACKERS AND HOSTAGES?<\/strong><\/p><p>After three decades of work on the margins of art production, D. B. Indo\u0161 has decided to abandon the safe position of peripheral activity and to enter uncertainties of institutional production. In that way, he has once again turned his radical, extreme, autistic, highly individual poetics into engagement with professional actors gathered for performance \u201cChinese Roulette\u201d at &amp;TD Theatre.<br \/>The play is dramaturgically built around the state of powerlessness by hostages in a hijacked plane, based on a historical event of hijacking of a passenger plane in Mogadishu and killing of the pilot by members of RAF, as well as on Fassbinder\u2019s feature movie \u201cChinesisches Roulette\u201d and documentary omnibus \u201cDeutschland im Herbst\u201d. The main scenic image is the play of the hostages in the hijacked plane. In a situation where they are completely powerless, in which there is nothing to lose, the hijacked passengers partake in the truth-game.<\/p><p><strong>An Homage to Fassbinder<\/strong><br \/>The truth-game is the central point of the homonymous Fassbinder\u2019s movie as well. However, while in Fassbinder\u2019s movie the game ends in tragedy, in Indo\u0161\u2019s performance it culminates with a collective hallucination, ecstatic music that finally liberates.<br \/>Truly an homage to Fassbinder, to that fierce and uncompromising critic of social order as the source of all evil, by thematicizing RAF\u2019s terrorist action the performance speaks out about the superiority of the socially organized activity in relation to the privately established one. By criticizing the government apparatus, Indo\u0161 proposes consideration of the phenomenon of terrorism: \u201cIt is about organizations \u2013 one is hereditary and legitimate, the other is self-organized \u2013 it originates by itself and it abolishes itself. The first has a rule to sacrifice others for itself, while the other usually sacrifices itself for others or breaks the rule by sacrificing itself with others. Basically, there is a conflict between the aggressive spirit and selfish capital.\u201d<\/p><p><strong>Non-existent innocence<\/strong><br \/>The situation that erases the boundaries between hijackers and hostages poses a question of the responsibility of the individual inside the wider social structure by negating the innocence as a possible category of value. In that sense, the choice between political activity and passivity does not exist. The key scene is a remake of Fassbinder\u2019s sequence from the movie \u201cDeutschland im Herbst\u201d, the conversation with the mother which is permeated by the memories of nazi history, silence, fear of speaking in public and deep distrust towards democratic political system, but also, at the same time, by his deep powerlessness to stand up to the basic hegemonistic world view as well. Putting the social engagement in the foreground, Indo\u0161 underlines his move into the field of institutional, accepting the dangers of misunderstanding and betrayal. By calling it \u201cthe breakthrough to the central\u201d, he expands the battlefield to socially more accepted theatre as structurally a better place for his own social and political engagement.<br \/><strong>Vesna Vukovi\u0107 \n\n(translation: Vedran Pavli\u0107)<\/strong><\/p><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>Kineski rulet 6. &#8211;\u00a0 15. 5. 2005. &#8211; Velika scena Teatra &amp;TD, zagreb Autor produkcije: Nata\u0161a Rajkovi\u0107Autor koncepta: Damir Bartol Indo\u0161Protagonisti: Ana Kari\u0107, Tvrtko Juri\u0107, Nata\u0161a Dangubi\u0107, Vili Matula, Tanja Vrvilo, Damir Bartol Indo\u0161Glazbenici: Damir Prica Kafka, Andreja Ko\u0161avi\u0107, Igor PavlicaDramaturgija: Una BauerKostimografija: Ana Savi\u0107 GecanVideo i Filmske animacije: Nicole HewittCrte\u017e, Tekst, Glas: Vladimir GudacArhitektonski &hellip;<\/p>\n<p class=\"read-more\"> <a class=\"\" href=\"https:\/\/www.dbindos.info\/en\/projekti\/kineski-rulet\/\"> <span class=\"screen-reader-text\">CHINESE ROULETTE<\/span> Read More &raquo;<\/a><\/p>","protected":false},"author":1,"featured_media":0,"parent":5413,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-global-header-display":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":""},"_links":{"self":[{"href":"https:\/\/www.dbindos.info\/en\/wp-json\/wp\/v2\/pages\/8530"}],"collection":[{"href":"https:\/\/www.dbindos.info\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.dbindos.info\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.dbindos.info\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.dbindos.info\/en\/wp-json\/wp\/v2\/comments?post=8530"}],"version-history":[{"count":97,"href":"https:\/\/www.dbindos.info\/en\/wp-json\/wp\/v2\/pages\/8530\/revisions"}],"predecessor-version":[{"id":8634,"href":"https:\/\/www.dbindos.info\/en\/wp-json\/wp\/v2\/pages\/8530\/revisions\/8634"}],"up":[{"embeddable":true,"href":"https:\/\/www.dbindos.info\/en\/wp-json\/wp\/v2\/pages\/5413"}],"wp:attachment":[{"href":"https:\/\/www.dbindos.info\/en\/wp-json\/wp\/v2\/media?parent=8530"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}